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Having just finished Gladiator, Phoenix came to Quills completely exhausted. Winslet, who plays the maid smuggling de Sade's text out of the asylum to which he's been banished, proved a big help. Phoenix takes the part of the asylum's pioneering abbe who advocates a libertine approach to mental illness. He recalled: "I'm standing there with the crew at 10 o'clock at night saying, 'I'm not coming back tomorrow, there's no way I can do this', and Kate's asking if she can bring me some tea. She's bringing tea and biscuits for everyone, throwing parties, she's just a really considerate woman. And you can see that in her acting. She's very giving. There's a great warmth about her." "It was my project to get Joaquin through the film," Winslet admitted, "because he was very tired and he was playing the hardest role of all of us." |
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January 19: This article is from the Saturday edition of the UK Times: |
"Ground Breaker," by Ed Potton Kate Winslet is just a down-to-earth middle-class girl from Reading, even if the host of big names willing to work with her and two Oscar nominations suggest otherwise -- No other British actress has been borne on the prow of a multibillion-dollar movie. No other British actress has such clout in Hollywood's casting bearpit. No other actress of any nationality has been nominated for two Oscars before turning 23. But nobody seems as determined to prove their unaffected normality as Kate Winslet. When people suggested that she put down roots in L.A, she answered incredulously, "Why? What for?" While her American peers provide interviewers with the blandest and most guarded of answers, Winslet puts her (size ten) foot in it with charming regularity. Take her comments on portraying a lust-inspiring laundry maid in her new film, Quills, a fictional account of the life of the Marquis de Sade: "I wondered if people would accept me playing a lower-class scrubber. It's normally the sort of role Martine McCutcheon would play." |
Pic caption: British bombshell and
box office draw, Kate Winslet
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NEW YORK - Since riding to stardom on the wave of box-office giant Titanic, Kate Winslet has been sailing along just fine, both as an actress and in her new role as wife and mother. Winslet spoke to Fox News Channel's Arthel Neville about her new movie Quills, starring Geoffrey Rush and Michael Caine, and the recent talk about why she's trying to shed some pounds. Q: When you watch this movie, are there any scenes that evoke memories of production - like, How did we pull that off? Winslet: Oh yes, many. In fact, all of the scenes do. I wonder how we pulled them off. Mr. Geoffrey Rush was always making me laugh. I am surprised we got to the end of any scenes at all, we were always in hysterics. Q: There is so much going on in that movie. One scene in particular, where you had five people passing a note through about five different secret compartments - how difficult was that to choreograph? Winslet: Very difficult to choreograph. It took a week to shoot that scene. There were so many people in it, passing it down the line, and everyone was in a different room so it had to be shot in a very specific way. I have such great memories of that film, and all of the actors were amazing. I felt so in awe of the actors playing the lunatics. You know, they completely became these lunatics, and it was fascinating to watch. And they stayed in character the whole time. It was really impressive. |
January 13: Following is the article from the January 7 UK Sunday Times Magazine. Special thanks to Farida for scanning it and Munir for emailing it! |
'Titanic Struggle" The Kate Escape - She burps. She flashes her knickers. She detests showbiz parties. Kate Winslet has never been one to beat about the bush. But can the star of the world's biggest-grossing film be as down to earth as she says she is? Interview by Lesley White. Portraits: Jason Bell Within a matter of minutes, and quite unbidden, Kate Winslet is showing me her knickers - big, black, high-waisted ones with a special tummy-control panel from Marks & Spencer. "Nothing fits any more," she announces, running me through the maternity jacket and trousers and the oversized white shirt that have been her posh get-up since her much publicised pregnancy. She gained four stone - and produced the 8lb-9oz reason why none of this matters, why she laughs as she prods her rounded stomach. Her three-week-old daughter, Mia, is being taken for a walk by her father, while Kate remembers how to play an actress promoting her new film. |
Released from her starry duty, you can bet the 25-year-old is a hands-on, helping sort of friend and daughter, never too grand or too tired to put the kettle on, a trooper who would have been just as temperamentally suited - if not more so - to life in a traveling group of players. Sometimes she is so determinedly down-to-earth that you wonder how a girl who has led such a charmed life since the age of 17 can be quite so matter-of-fact about her big adventure. You soon suspect, however, that though she may kick off her shoes and show you her stretch marks, she is not really being her uninhibited self, but acting a part she hopes will be appreciated. Acting is a second nature. Perhaps those who start so young in show business have difficulties separating the real from the acted in all but their most private sanctums. Certainly Winslet has at times identified almost too strongly with her roles, fainting on set, succumbing to fevers and vapours, being unable to let characters go. When she returned from shooting her first film, Heavenly Creatures, her school friends pestered her for every detail, but she was unable to discuss an experience that had traumatised her. Only later did her mentor, Emma Thompson, teach her the importance of protecting herself from the mental invasion of other people's fictions. "It was a hard lesson but I have learnt to look after myself better now." |
You read with sinking heart the other press interviews in which she has not only spilt the same secrets, but in precisely the same wording, artfully making them sound fresh and original each time - just as she does on the trying fifth take of an important scene. You also notice the preponderance of allusions to bodily functions. She has often said how impressed she was that Emma Thompson's first words, when she opened her front door before a meeting for Sense and Sensibility, were to the effect that the older actress needed a pee. This matey lavatorial reference (for Kate, now usurped by the even earthier breast feeding) has entered the handy nice 'n normal lexicon, of which stars such as Winslet avail themselves. How appealing that she bothers. Kate wants to be seen as one of us. The battle with her body, the "I burp, I fart" manifesto, the bangers 'n mash wedding breakfast, the confession that she would prefer a suitor to send around a pair of smelly socks instead of roses, all serve to disassociate her from the fragrant existences of the fame elite. Then there is her intellectual self-depracation. With her nine GCSEs and the research she undertakes assiduously for every part, cramming so thoroughly on the subject that she begins filming with a whole world inside her head, she is better informed than many more formally educated women of her age. She certainly got the point of de Sade. "At 23," says Quills director, Philip Kaufman, "she was the most mature person on the set. She was fearless about the nudity because she understood there is room for an adult exploration of sexuality." |
She accepts that she has grown up on film. "I went away to do Heavenly Creatures a girl and I came back a woman. When I did Sense and Sensibility, I changed again, I could feel it happening and that was part of the reason for separating from Stephen. [Stephen Tredre, a writer and actor, was Winslet's first love and died of cancer aged 34, two years after their split.] It did help that. I looked and felt like sh** in some of the scenes we were shooting at that time because my character, Marianne Dashwood, was near dead. I was lucky that I felt genuinely bad. But I kept it all bottled up, nobody knew except Emma " |
But like Austen's incurable romantic, the actress soon found peace and domesticity - and almost a double wedding with her sister Anna. After Holy Smoke! she took five months off and got married. She made Quills, and then Enigma, the adaptation of Robert Harris's thriller about the Bletchley codebreakers, which coincided nicely with her pregnancy. They had to pad her out because her character, the owlish Hester, had a bigger bump than Kate at the time, which makes her smile wryly. "I play a goody two-shoes with specs," she explains, far more interested in discussing her water retention. Her pregnancy was joyful but also fraught; she found it impossible to bond with her baby in the early stages, swelled up like a balloon, and could not have fitted her naked bump on the cover of a glossy magazine a la Demi Moore even if she had been asked, which we can reasonably assume she was not. "There is a lot of pressure to have a sexy, womanly, fulfilling pregnancy, but I didn't feel like that. I was huge, massive. I put on four stone. I'm still two stone overweight. I held a lot of water and I was very uncomfortable. Mia was 10 days late and by then I was climbing the walls. The birth was natural, and somehow I just coped with the pain. It was the most amazing experience from start to finish. Jim was with me the whole time. As soon as she was out I thought, 'I want to do that again, I'll do that any day.'" For someone who can work as little as 12 weeks a year, there are no pressing concerns of "palming her off" on a nanny. The couple will take it in turns to stay at home, and Winslet is highly unlikely to accept offers that take her further than short-haul trips for a while. "Sometimes Jim and I just look at each other, and go, 'Oh God! We're doing all this and we're so young!' It's great, but we don't think about it too much because it freaks us out." |
(Scan was found on ebay)
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January 7: Kate is featured in The News of The World Online Sunday Magazine. The brief article is a re-working of quotes previously published, and it has three pics inside that aren't new to us - the 'official' first baby photo, a wedding photo, and a pic of Kate and Joaquin in Quills. The cover shot is an older pic - but a nice pose from that photo session that's new to me. |